A Comprehensive Analysis of Narrative and Character Elements in The Conjuring (2013) Through Repertoire of Elements and Propp's Theory
DOI:
https://doi.org/10.36312/jolls.v4i4.2112Keywords:
Narrative elements; , Character elements; , Movie analysis; , Repertoire elements; , Propp’s theoryAbstract
This study provides a comprehensive analysis of the 2013’s movie The Conjuring through Nick Lacey’s Repertoire of Elements and Vladimir Propp’s Narrative Theory. The movie, directed by James Wan, is recognized for its intricate horror narrative and rich character development. By examining the movie’s use of style, iconography, character roles, narrative structure, and setting, this research demonstrated how these elements worked together to create a compelling supernatural experience. Applying Lacey’s theory revealed the movie’s adherence to genre conventions through its dark, atmospheric settings and minimal lighting. Interestingly, the movie did not feature a "false hero", a deviation from Propp's theory, which the movie emphasized the clear moral presented in the story. The absence of this character type suggested a more straightforward narrative focus on the struggle between good and evil, without the complication of betrayal from the protagonist's ranks. In conclusion, The Conjuring Movie's linguistic and visual elements were integral to the movie's ability to engage and terrify its audience. The camera work, lighting, and sound, combined with a well-defined character structure, created a compelling narrative that resonated with viewers, reinforcing the movie's status in the supernatural horror genre.
Downloads
References
Aldana-Reyes, X. (2022). Contemporary Gothic Horror Cinema: The Imagined Pasts and Traumatic Ghosts of Crimson Peak (2015) and The Woman in Black (2012). Lit: Literature Interpretation Theory, 33(2), 82–101. https://doi.org/10.1080/10436928.2022.2075181
Alvarez, F., Sanchez, F., Hernandez-Peñaloza, G., Jimenez, D., Menéndez, J. M., & Cisneros, G. (2019). On the influence of low-level visual features in film classification. PloS one, 14(2), e0211406.
Aqeel, et al. (2021). Critical analysis and character narration of Snow White under Propp’s model. Manuscript in preparation, Department of English, USKT, University of Sialkot, Punjab, Pakistan.
Ayres, Brenda, and Sarah E. Maier. “Neo-Gothicism: Persistent Haunting of the Past andHorrors Anew.” Neo-Gothic Narratives: Illusory Allusions from the Past, edited by SarahE. Maier and Brenda Ayres. Anthem P, 2020, pp. 8–14
Brewster, Scott, and Luke Thurston. “Introduction.” The Routledge Handbook to the GhostStory, edited by Scott Brewster and Luke Thurston, Routledge, 2018, pp. 1–15
Bordwell, D. (2003). Film history: An introduction. McGraw-Hill.
Chatman, S. (1990). Story and Discourse: Narrative Structure in Fiction and Film. Cornell University Press.
Del Toro, Guillermo. “Audio Commentary.” Crimson Peak Blu-ray, Arrow Video, 2018.Ebiri, Bilge. “The Awakening: Every Year Needs a Great Gothic Horror Story.” Vulture, 17 Aug.2012
Dwiastuty, R.R. (2022) “Analisis Genre Horror pada Film Hereditary (2018) dan Midsommar (2019),” The Commercium, 5(3), 191–206, Aug. 2022.
Hallam, Lindsay. “Digital Witness: Found Footage and Desktop Horror as Post-CinematicExperience.” New Blood: Critical Approaches to Contemporary Horror, edited byEddie Falvey, Jonathan Wroot, and Joe Hickinbottom, U of Wales P, 2020, pp. 183–99. https://www.rottentomatoes.com/m/the_conjuring
IMDb. (2013). The Conjuring (2013) - IMDb. Retrieved August 19, 2024, from https://www.imdb.com/title/tt1457767/?ref_=ext_shr_lnk
Lacey, N. (2000). Narrative and Genre: Key Concept in Media Studies. London: Macmillan Press
Laffly, T. (2021). “Eight for Silver Review: Stylish Gothic Horror that Impresses Mostly with ItsCrafty Visuals.” Variety, 30 Jan. 2021.
Luky, D. A. (2016). Analisis Genre Film Aksi dalam Film Killers (Doctoral dissertation, Universitas Airlangga).
Marlia, M., Puspasari, A., & Hikmahyanti, C. (2017). Character analysis in the movie Alice Through the Looking Glass based on Propp’s theory. Jurnal Ilmiah Bina Bahasa, 10(2), 25-36.
Monaco, J. (2009). How to read a film: Movies, media, and beyond. Oxford University Press.
Nassaji, H. (2015). Qualitative and descriptive research: Data type versus data analysis. Language teaching research, 19(2), 129-132.
Propp, V. (1968). Morphology of the Folktale. Texas: University of Texas Press.
Réveillac, J. M. (2017). Musical sound effects: Analog and digital sound processing. John Wiley & Sons.
Saragih, M. Y. (2020). Journalistic mass media management. SIASAT: Journal of Religion, Social, Cultural, and Political Studies, 5(4), 141-158.
Sarria, L. C. (2015). The Influence of Camera Angle in Film Narratives. Doctoral dissertation, Institut for Æstetik og Kommunikation, Cognitive Semiotics Aarhus Universitet.
Savardi, M., Kovács, A. B., Signoroni, A., & Benini, S. (2023, June). Recognition of Camera Angle and Camera Level in Movies from Single Frames. In Proceedings of the 2023 ACM International Conference on Interactive Media Experiences Workshops (pp. 79-85).
Setyandari, H. M. (2018). Analysis of Ray Bradbury’s Fahrenheit 451 within Propp’s model of narrative theory (Unpublished thesis). Faculty of Humanities, Diponegoro University, Semarang.
Sinulingga, K. N., & Wibawa, S. (2022). Genre Analysis the Film Gundala. Capture: Jurnal Seni Media Rekam, 14(1), 30-40.
Stam, R. (2017). Film theory: An introduction. John Wiley & Sons.
Turner, P. (2019). Found footage horror films: a cognitive approach. Routledge.
Vu?kovi?, D., & Brati?, V. (2020). Propp revisited: A structural analysis of Vuk Karadži?’s collection Serbian folk fairy tales. Zeitschrift für Slawistik, 65(3), 335-367.Wiederhold, B. K., Bouchard, S., Wiederhold, B. K., & Bouchard, S. (2014). Claustrophobia: Efficacy and treatment protocols. Advances in virtual reality and anxiety disorders, 145-162.
Winchester, C. (2021). ‘Whistle while you work’: A comparative study of gender representation in ‘Little Snow White’and Snow White and the Seven Dwarfs. ANU Undergraduate Research Journal, 11(1), 22-28.
Wulansari, M. (2018). The Dramatis Personae in Disney’S Beauty and the Beast Fairy Tale Based on Vladimir Propp’S Theory (Doctoral dissertation, Diponegoro University).
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Amalia Indradewi, I Gusti Agung Sri Rwa Jayantini
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors who publish with JOLLS agree to the following terms:
- For all articles published in JOLLS, copyright is retained by the authors. Authors permit the publisher to announce the work with conditions. When the manuscript is accepted for publication, the authors agree to implement a non-exclusive transfer of publishing rights to the journals.
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike 4.0 International License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
